Story Of The Year @ ASU

Done as sort of a last minute, thrown together quickly, almost didn't happen sort of deal, I worked with my brother Gus on a pre-show acoustic performance by the band Story Of The Year. The band was performing Friday night at the Devilpalooza show on the Arizona State University, and are promoting their brand new album, "The Constant".



Until we literally showed up with our gear, we didn't know if the thing would happen. We couldn't secure a location, the band wasn't sure they'd have the time to do it, and we didn't have anytime to plan anything. In the mix, I forgot my tripod, so my footage is all handheld. Not terrible, not great. Our good friend John Clay helped us out by working the soundboard, but not before his truck snapped a ball joint, and curled his front tire underneath itself. It was one of those days. John's theory was the curse of Biggie Smalls out to get him... having just listened to his entire discography before breakdown.



Click on here or on the title to watch in HD.



Once we were set up, things went ok. Gus shot on the RED One camera, and I shot on my trusty 5D MkII. We threw down 2 shure 57's and used a Shure 58 to mic the vocals. We also had a shotgun mic on a boom set to catch the ambient room noise and backing vocals. Which worked nicely.



Full story on the New Times page here.

Zack Holwerda

My brother Zack is a professional bull rider and fisherman... and this weekend we put together some photos of him for promotional and sponsorship purposes. This gave me the opportunity to get out my strobes once again and do some experimenting.



The first thing we did was the very clean and surgical looking promo shots on a white background. Which basically, just requires a lot of purposefully placed light.



Second, was a technique I've wanted to play with... using a flash in the day light. I wanted to get the blue sky in the background, and still have Zack lit... but not by the harsh sunlight. We used a white coated umbrella for this. I warmed it up a bit in Photoshop. (The photo above was to accentuate the watch)



The last photo is just to exhibit how ridiculously sharp this Canon 5D MkII can be in the right circumstances. Things like this make me happy I have this camera. This photo is a crop of one of the photos above. Amazing. To me anyways.

George Strait and Reba @ US Airways Center

I wasn't sure if I'd be posting this blog... I got a rider from Reba and Strait's people saying they need to personally approve all photos before they are used. Luckily, the New Times took care of that for me and my photos were approved. Yay! Really, I just like to post blog's to keep my body of work moving... it reminds me of what I've done, or prompts me to do more. Moving on...





This show was in the round... er... in the 'square'... which made things interesting. Especially since the photogs were positioned behind the band. All the equipment was facing the other direction, and most peoples backs were to us. The stage did not rotate, and neither were we allowed to wonder very far around it. The night opened with Lee Ann Womack. Not knowing what to expect, and only having 2 songs to shoot, I put my 17-40mm on my 5D MkII, and my 100-400mm on my 20D. Lee Ann took the stage and basically did laps around the outside. Her first 2 songs went quick and I was only able to snap a couple 'keepable' photos.





Reba was up next, and our press contact had warned us we would be shooting from the sound board for her set. This is something that surprises a lot of people when I tell them about this sort of restriction... and while I can almost understand the reasoning behind it... it is always to the detriment of the photos. While being that far away CAN hide a few wrinkles... photographers have very powerful lenses and can overcome the distance. What long lenses CAN'T overcome is the dull mediocrity of a boring photo. When your subject is so far away, there are no angles to change, you get what you get. Also, at concerts, lights are high up in the air, and when a photographer is close to the subject, those lights can be placed into the frame, adding some drama to photo. (See the 2 photos below for a comparison)





When George Strait took the stage, we photogs were placed back at the same position we were in for Lee Ann Womack. George had a microphone stand placed in the corner of the stage facing us, so I knew I'd be able to get some nice shots.





George walked on stage to a roar of applause, he was handed an acoustic guitar, and he made his way around the stage over to our position. He had a big smile on his face from the beginning. He was very relaxed and put on an amazing show. Most of the people in the arena were up from their seats and dancing in the aisles. I managed to get a number of photos I was happy with, and when we were ushered out, I felt content.



I don't want this post to sound like I'm complaining about photo restrictions... I just thought I'd share my reasoning from behind the camera. I get paid either way... but I like taking nice photos.

Skate Park

On Saturday, my fellow photographer Steve Esparza and I decided to hit the local skate park to test out some new equipment and play with HD video.

Steve recently purchased a Steadicam rig for his HD video studio, and this was a good excuse to give it some use. Of course, since we were there, I decided to take some stills as well. I think it's every photographer's fate to photograph skate boarders at some point in their life.

I managed to get a few ok shots, and while I was there I shot some HD video on my Canon 5D MkII while Steve was shooting with his FX-1. Eventually, we will probably merge the 2 video tracks together, but in the meantime, I did a quick rough edit of the footage I captured. Some of it is steadicam by Steve from when we slapped the 5D on his steadicam rig. Enjoy. (Click on the title to view on Vimeo.com in HD)

Thanks to all the kids and their parents for permission to shoot.

Flash test

Over the weekend I was playing with my strobes. Just experimenting with different placements of all the units... since I don't tend to get the chance to use them that often. It started with me photographing my wife... I got some nice results in a short amount of time, and decided to wrap it up. But the next day I had one last idea of putting the strobe up high in the air and turning down the power. I only took one picture before I went inside to look at it.



The reason for the post is actually to showcase a very weird result I got from playing in the RAW photo editor in Photoshop. The above photo is the photo as it came off my camera. Below is the same photo after a few tweaks in the RAW editor.



This last photo is again, the same photo, after experimenting with the luminance sliders. I got something I thought was pretty F'ing crazy... it looks like me... but old! Or me after sitting in the sun for a year. Anyways. I just wanted to share.



And on a side note, I've decided to become less picky with photo jobs... so if anyone out there needs portraits or head shots... or something completely bizarre and ridiculous photographed, (yes please!), email me.

The Love Me Nots @ Martini Ranch

Booked as the premiere of their new music video, the Love Me Nots managed to nearly fill the Martini Ranch on Friday night. I've heard OF this band, and remembered seeing them on the cover of the New Times a while back... but have never actually seen them live. Two people I mentioned the band to both said "Oh, everyone loves the Love Me Nots". To clarify, they are a local Phoenix band that has made good, and scored a deal on one of the smaller labels.





Helmed by a sparkle stocking-clad, dark haired, Farfisa playing, animated female lead singer... the band takes on a fairly unique look outside of today's boring rock fads. All four members add to the 60's throwback aesthetic, and all brought their own entertaining feel to the stage. I was more intrigued by this band than I thought I'd be. The band calls their sound “spy-surf-fuzz-gogo.”





I stayed for most of the set., partially because the lighting made it tricky to get good shots of Nicole Laurenne, lead vocals... lots of back lighting on this stage... so I had to snap photos every chance I got. But I did have a good time listening to the music. It was all very catchy and uppity... even if it did start to get slightly repetitive... but it kept the crowd happy. I don't think you can have much of a lull in the set when drunk Scottsdalieans are involved.





All in all it was a good show. You can really tell the difference between the 86 million local bands that just throw themselves on any stage in this city, and the 5 or 6 who are polished enough to get signed. You can tell the ones who've taken the time to put something special together. Good on you Love Me Nots.

Sonic Youth @ Marquee Theatre

Chairs set up at the Marquee Theatre... that usually means old and broken people will be at the show... or people that just want to chill out and nod along to the songs. Is Sonic Youth THAT old??

From what I saw on stage... no. For a long time, going to concerts as a lad I found it disrespectful for people to sit down at a rock show. Apparently, I still do. This band, however old they may be... were still able to stand up and rock their set, guitars flailing around on stage... we should at least be courteous and stand with them. Be part of the moment.

Ok, enough of that. I never listened to Sonic Youth... but I always had a feeling I'd like them. And this show was no disappointment. Lots of noises and sound effects and feedback. (Done right, it can work) I enjoyed it. They even brought their own lights to the Marquee. Whee!

Unfortunately, slightly, their lights were all behind them. Which, for the audience, looks cool... but for actual photos... it makes getting clear shots difficult. When you're attempting to capture the correct exposure on someone's face or guitar, and a large box of flash bulbs go off behind them, scorching the rest of the photo... it can get frustrating. But that's all part of the game.

Too bad tho... there were a few times when Thurston Moore (guitar) would be right in front of me really playing up to the camera... and most of the time it was just too dark or awkwardly lit for me to get anything worth using. That is sort of my story with the Marquee in general. At the start of this show, I remember thinking "I have very few photos from this venue in my portfolio". I think I may have got one tonight... very top photo of Thurston.

Pretty much all night the 5D was set to ISO6400... and the shutter would jump around from 1/30 - 1/500 depending on the lights.